Reviews Archives - INDY Week

Music

No One Mind’s “Secondary Gain” Is As Tense and Groovy as a Blacklight Poster

by Brian Howe 09/06/202309/11/2023

Revisiting the brief but pungent catalog of No One Mind is like hearing a dream-pop band cutting the safety net and swan-diving deep into the dream.

Music

On Its 30th-Anniversary Reissue, “Ring” by the Connells Sounds Better Than Ever

by Brian Howe 09/06/202309/06/2023

Music

On “Night Blooms in the Apocalypse,” Multi-Instrumentalist Sam Logan Tiptoes Up to the Edge of Extinction

by Nick McGregor 09/06/202309/06/2023

Music

Entrez Vous’s Debut Album Deftly Threads Pop Immediacy With Experimental Breadth

by Brian Howe 07/26/202307/26/2023

Music

“Charlietape” Is a Time Machine to Hip-Hop’s Golden Era

by Kyesha Jennings 07/26/202307/26/2023

Music

On Compilation Album “Every Day Like the Last,” Wye Oak Leaves Rock Music Behind

by Brian Howe 06/28/202306/27/2023

Music

Phil Venable’s “Bringing the Light” Follows the Star of Protean Saxophonist Pharoah Sanders

by Brian Howe 06/28/202306/27/2023

Music

On Django Haskin’s “Lost World,” Earnest Exercises Tug at Thoughts That Haunt Life’s Quiet Moments

by Jordan Lawrence 06/28/202306/28/2023

Music

On “Inter Personal,” the Musical Chemistry of Andy Stack Jay Hammond Shines Through

by Jordan Lawrence 05/31/202306/01/2023

Music

On “In Color,” Bombadil Continues to Find New Ways to Reinvent Itself

by Jordan Lawrence 05/31/202305/30/2023