Dean and Britta, always a pleasure
Dean and Britta
Thursday, Feb. 18, 2010
Duke University, Durham
It could have ended up just another lesson in how the visual cannot be married to the musical easily, or vice versa. But there Dean and Britta were, with band members Lee Waters and Matt Sumrow, delicately balancing the two and winning. The project was offered to Wareham by the Warhol Museum in Pittsburgh, and initially I thought, surely that offer was based on his experience with dreamy, atmospheric pop that might lend itself well to Warhol's voluptuously slowed down film shorts.
Wareham has experience putting music to film: Dean and Britta contributed to The Squid and the Whale's score, and Luna had songs in films before that. With a monstrous screen behind them, allowing the films to take appropriate visual dominance over any stage show, the band started into the set carefully, with Waters out on bass.
Then the tone was set: Wareham or Phillips gave a blip of background information, usually with a telling slice of life, for each of the 13 chosen film subjects. It made for an entirely different experience than an open viewing of these strong characters in Warhol's circle, turning their non-performance performances into something much more revealing. So, while the Luna song "Teenage Lightning" was used for Paul America, and a Nico song, "I'll Keep it with Mine," was used for hers, some of the most effective combinations were less obvious.