Posted inArchives Durham Independent Dance Artists Branches Out Into Indian Classical Dance with Ramya Kapadia by Byron Woods 04/26/201802/08/2023
Posted inArchives Dance Review: Though It Offers Few Answers, Frivolous Artist Carefully Leads Us Toward Questions About Art and Participation by Michaela Dwyer 03/30/201802/08/2023
Posted inStage In Frivolous Artist, Ginger Wagg Dances Around the Usual Relationship Between Performers and Audiences to Highlight Our Significance and Question Her Own by Noah Rawlings 03/21/201802/08/2023
Posted inArt Metamorphoses, Water Balloons, and Blood-Smeared Debutante Balls in Nicola Bullock’s Imago by Michaela Dwyer 01/17/201802/08/2023
Posted inStage Leaving the U.S. Sharpened Nicola Bullock’s Perspective on What the South Expects of Women, Resulting in New Dance Solo Imago by Byron Woods 01/10/201801/11/2023
Posted inArt Design Elements Obscure Some of the Hardest Truths in ShaLeigh Dance Works’ I Promise by Byron Woods 12/20/201702/08/2023
Posted inStage ShaLeigh Dance Works Asks How to Heal a Nation of Others in I Promise by Byron Woods 12/13/201702/08/2023
Posted inArt From Intergenerational Traumas of Race and Gender, Murielle Elizéon Extracts Universal Catharsis in Brown by Brian Howe 12/13/201702/08/2023
Posted inArt Dance as a Political Weapon in DIDA Season Opener Uncle Sam Wants You! by Byron Woods 11/08/201702/08/2023
Posted inArt As the Focal Point of North Carolina Dance Shifts from Campus to Increasingly Professional Independent Artists, Two Statewide Showcases Adapt by Byron Woods 10/11/201702/08/2023