Posted inArchives Dance Review: Renay Aumiller Dances’ boneGlow Was Full of Compelling Ideas That Were Hard to See by Michaela Dwyer 06/14/201702/08/2023
Posted inArchives Dance Review: Rabble & Twine’s The Mesoplanets Shines in Multimedia Atmosphere but Needs Stronger Movement by Byron Woods 05/17/201702/08/2023
Posted inArt Assessing the Spring Shows from Durham Independent Dance Artists According to Its Implicit Vision of Dance Without Borders by Michaela Dwyer 04/26/201702/08/2023
Posted inArchives Dance Review: Stephanie Leathers and Company Deconstruct Durham Development in Home: the metamorphosis by Michaela Dwyer 11/23/201602/08/2023
Posted inArchives Dance Review: Fake It Till You Make It is a Delirious Fantasia with Trump and Travolta by Michaela Dwyer 10/27/201602/08/2023
Posted inArchives In Rooftop Performance Quadrants, Stephanie Leathers Summons Humanity in the Face of Development by Chris Vitiello 09/29/201602/08/2023
Posted inArchives New Performers, New Personnel, and New Venues Enliven Durham Independent Dance Artists’ 2016–17 Season [Updated] by Michaela Dwyer 08/10/201602/08/2023
Posted inArchives Dance Review: In Feature Presentation, Anna Barker and Leah Wilks Comedically Remind Us of a Harsh Fact: Art Hurts by Michaela Dwyer 06/15/201602/08/2023
Posted inArt Anna Barker and Leah Wilks Sift Through the Selves We Show the World in Feature Presentation by Michaela Dwyer 06/08/201602/08/2023
