Posted inStage In a Risky, Rewarding Gambit, Director Tia James Takes Shakespeare’s Tale of Warring Brothers and Questing Lovers Out West. by Byron Woods 01/19/202201/11/2023 “As You Like It,” PlayMakers Repertory Company’s first film, streams online through January 21.
Posted inStage A Virtual Performance of ‘Othello’ Features an All-Black, All-Femme Creative Team by Byron Woods 04/07/202101/11/2023
Posted inStage Black Women Bring Unique Insight to Shakespeare in “Love’s Labour’s Lost” by Byron Woods 08/13/202001/11/2023
Posted inStage In the Latest Snap Pea Catering Production, Braised Beef Was Served with a Side of Detective Work by Byron Woods 09/12/201901/11/2023
Posted inStage Clever Casting and Modern Power Politics Sharpen and Freshen Shakespeare’s Measure for Measure by James Embree 01/21/201901/11/2023
Posted inStage After MeToo, in a Theater World Rocked by Sexual-Assault Scandals, Implied Consent Isn’t Enough. The Era of the Intimacy Director Is Here. by Byron Woods 01/09/201901/10/2023
Posted inArchives Theater Review: Shakespeare Speaks to Every Age but Sometimes Mumbles When He’s Drunk by Byron Woods 04/30/201802/08/2023
Posted inArchives Hamilton and Star Wars Parodies Are on Tap in ShakesBEER II: The Bard Strikes Back by Byron Woods 04/20/201802/08/2023
Posted inArt Though British Royalty Is Surging in Pop Culture, Provocative “Future History Play” King Charles III Reminds Us We May Be Living in Its Twilight by Byron Woods 04/18/201802/08/2023
Posted inArchives Mike Bartlett Rewrites Future History in King Charles III at Burning Coal by Byron Woods 04/11/201802/08/2023
