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Carolina Performing Arts

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photo by Hibbard Nash Photography

Artistic director Janet Eilber discusses why she has such a populist stance on the modern dance icon and what it was like to work with a legend. Read more

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photo by Maria Baranova

A philosophical dance theater company and a genius poet combine their talents on a timeless tale of strong women and civil disobedience at Carolina Performing Arts. Read more

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photo by Josué Azor

The Grammy-nominated composer, flutist, and vocalist, who is half of the duo Flutronix, brings her evening-length work to UNC on Friday, Jan. 10. Read more

Features

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Photo by Alex Boerner

After fifteen years, the founder of Carolina Performing Arts leaves Chapel Hill with a program New York might envy Read more

North Carolina

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photo by Marie-Laure Briane

"Loch na hEala," Michael Keegan-Dolan’s beautiful nightmare of Irish sin, salvation, and transformation, shatters a classic ballet into astonishing dance-theater stage pictures. Read more

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photo by Brian Howe

What happens if you remove the essential privacy of the recital experience, and then do it for five hours? A centuries-long survey of piano music by women tested the case in Chapel Hill. Read more

Reviews

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photo by Nils Schlebusch

With Pulitzer-winning composer David Lang, fearless cellist Maya Beiser, expert dancer Wendy Whelan, and postmodern pioneer Lucinda Childs on deck, what could possibly go wrong? Read more

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Photo courtesy of Duke Performances

In addition to twenty concerts you can't see, there are five you might have seen before. Read more

Features

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Photo by Anne Van Aershchot

From a refugee drama staged in a shipping container to a deconstructed "Swan Lake," these are the dance and theater works we can't wait to see. Read more

Stage

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Photo courtesy of the orchestra

As the area's university and professional presenters bring the world to the Triangle, the Raleigh Civic Symphony and Chamber Orchestra is home-growing innovative programming. Read more

Features

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Photo by Julieta Cervantes

Mavis Staples! Yo La Tengo! Emmylou Harris! Meredith Monk! Lang Lang! We could go on! Read more

News

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Photo by Erin Bell/Bull City Photography

We laid out some pretty bold premises when The Commons Crit, a collaboration with Carolina Performing Arts' Commons festival, began. Here's how they look from the other side. Read more

, Stage

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Photo by Jade Wilson

"Nu Mas(k)ulinities," by Eb. Brown, Daniel Coleman, and Joie Lou Shakur, made a better world seem less like a faraway hope than like something unfolding before our eyes. Read more

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Photo by Erin Bell of Bull City Photography

Structured by prompts from historical "happenings," the entire content of Justin Tornow's Commons showing was improvised by attendees, wreaking havoc on concepts like "performer," "performance," and "audience." Read more

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Photo by Erin Bell

Two ways of looking at Yankee's climactic performance about border issues and Mestizx identity in The Commons festival at Carolina Performing Arts. Read more

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Photo by Joie Lou Shakur

I sat next to Eb. Brown and audio recorded questions to be used during Saturday’s final production: “What do you notice about the way you carry your power?” I didn’t have an answer then, but I had more of my own questions. Read more

Stage

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Photo courtesy of the artist

At times a hyphenated American, now proudly mestizx, Yankee is probing being an “other” in a society that ignores indigenous origins. Read more

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Photo by Myra Weise

What if a "performance" could be less like passively receiving a predetermined takeaway and more like life, where anything can happen? Read more

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Photo by Don Holmes

A writer confronts uninvestigated emotions, confusions, regrets, and joys in the hush of "Nu Mas(k)ulinities," by Eb. Brown, Joie Lou Shakur, and Daniel B. Coleman. Read more

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Photo by Victoria Bouloubasis

The performance is still taking shape, but Yankee is certain there will be an interactive element that will push against subconscious voyeurism. Read more

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