The new song from the solo project of Wye Oak’s Andy Stack was previously available only through Merge’s vinyl subscription series, but now you can stream or buy it and support Native environmental organization Honor the Earth.
Brian Howe
For Two Nights at the Cradle with Built to Spill and Luna, It’s Like the Internet Never Happened
Perhaps it’s because there’s nothing new under the sun that everything old sends us over the moon.
Into the Bottomless Cave of Cat Power’s Commanding Cradle Show
Though I raptly watched Chan Marshall perform for an hour and a half, I don’t think I ever saw her face.
To Stay True to Its Values, The Carrack Modern Art Had to Close. Here’s Why That’s a Triumph, Not a Tragedy.
Founder Laura Ritchie, director Saba Taj, and others discuss the ups, the downs, and the legacy of the lifeblood of the Durham art scene, whose energies will long outlast the space.
Preventive Care for FOMO: The INDY’s Fall Arts Preview
Ruth Bader Ginsburg, Jay Leno, Ariana Grande, and dozens of other big personalities and can’t-miss performers are coming in hot this fall.
Reeling from a Literally Awesome Hopscotch Show, a James Blake Superfan Stans and Delivers
A James Blake show isn’t just something I look forward to; it’s a calendar-dominating event. I get very excited. It’s kind of embarrassing. I’m embarrassed.
Anticipating Hurricane Dorian, Hopscotch Moves Thursday Night’s Main-Stage Shows
The festival announced today that its Thursday-night headliners will move indoors because of concerns about the weather.
So Much of Acting Is in Glances and Gestures. For Audio Drama “The Master Builder,” Tamara Kissane Had to Make It All Audible.
In taking her Ibsen adaptation from stage to earbuds, the longtime Durham theater-maker had to rethink what to put in and what to leave out.
What to Expect when You’re Expecting a Virtual Pet
“Three days after my fortieth birthday, I became a Tamagotchi parent.”
How to Be Alone Together in Al Riggs’s Outstanding “Lavender Scare”
Prior INDY favorite “Hell House” had roots in crepuscular folk-rock, but “Lavender Scare” goes full-on synth-pop, though it retains a quicksilver live feel, thanks to the use of MIDI controllers.

