The slick yet sticky slice of bedroom-stadium party music that should appeal equally to fans of Ty Dolla $ign and Daft Punk.
Brian Howe
CALAPSE’s Sophisticated, Emotional Fourth EP Is Its Best Yet
These eight tracks contain a lengthier, weightier emotional journey than 20-some minutes should be able to contain.
Anne Gomez Gets a Quizzical Portrait in the Short Local Film ‘Niblets’
Defense lawyer by day, skronk-rocker by night, and round-the-clock hater of corn.
The Hip Hop South Festival Closes the Gap between the Academy and the Culture
“A low-key foundation of hip-hop is hyper localism: How do we represent where we’re from?” Regina N. Bradley says.
The New York Department of Sanitation’s Resident Artist, a Collaborator with Waste and Water, Shifts from the Hudson to the Haw
“For me, this process is about acknowledging these objects that we’ve created and abandoned, as they become part of the landscape.”
Quetico’s ‘Know You Are’ Is a Voyage through the Grooviest, Most Sensuous Parts of Throwback FM Radio
The songs are lush but run so clear that their challenging time signatures often hardly even register—they’re more special sauce than the main course, this time.
The Leitmotif of Drummer Harrison Haynes’s Art and Life in Two or Three Dimensions
From his mild manner and fastidious appearance, you wouldn’t necessarily picture Haynes going to see a chaotic art-punk band, let alone playing in one.
Helga Davis and Shara Nova Plunged a Live Musical Performance into the Deep Well of Their Personal Connection
The multiscreen film they drew up, ‘Ocean Body,’ screens at CURRENT ArtSpace + Studio this week.
The Extraordinary Story of Tragedy and Resilience behind a Rising Raleigh Musician’s Apocalyptic Reggae-Pop
It’s a story that revivifies stock clichés about what it means for an artist to have a voice, to have dreams. It all happened something like this.
The Nasher’s New Group Show Marks the Changing Mores of the North Carolina Arts Landscape
‘Reckoning and Resilience: North Carolina Art Now’ runs Thursday, January 13 to Sunday, July 10.

