It’s an album at once heavy and ethereal, as if chiseled on the faces of storm clouds.
Brian Howe
On “Corners, Paths, Noise,” a Dreamlike Atmosphere Courses with Alert, Intelligent Gestures
2Dwave’s EP is a pitch-perfect expression of Maison Fauna’s steadily blooming boutique-with-heart brand.
The Lost Era of Indie Rock: 20 Local Albums That Turned 20 in 2020
The story of local music between alt-rock and the internet in 20 forgotten classics from Y2K.
Triangle First: It’s Time for the Percolator in Oak City Slums’ Slamming NO VISA Mix
You’ll catch whiffs of Migos’s “Slippery,” Ciara’s “You Can Get It,” Lil Wayne’s “A Milli,” and other choice cuts you feel sure you’d recognize if the Raleigh producer didn’t transform them so skillfully and completely.
Django Haskins Pastiches Poe in Halloween Treat “Strange Birds”
This is a world in which eyes are not merely lensed, but lenséd, a pungently incensed world of crimson flasks and taloned fingers and spider-infested houses.
Two Recent Country Albums Walk the Line Between Pop and Purist
C. Albert Blomquist and Charles Latham both home in on a certain timeless simplicity, letting old tropes and truisms breathe clear contemporary air.
David Menconi, the Dean of North Carolina Rock Critics, Pens a Loving Landmark History of Our State’s Popular Music
With chapters focusing on figures as larger-than-life as North Carolina will allow, “Step It Up & Go” is brisk and fun but will also be cited as a reference for years to come.
Triangle First: Optimism Bursts from Tragedy in Nathan Oliver’s Strokes-y Single “Everybody’s Swimming”
If the video of swimmers and skydivers for the new track from Oliver’s forthcoming album doesn’t make you feel a little better, you probably already felt fine.
Opposites Attract on Sylvan Esso’s “Free Love”
On their anticipated third album, the acclaimed Durham electro-pop duo are pop stars you can put in your pocket.
Triangle First: The Charming Nostalgia of “Left on Red,” the First Music Video by Charles Latham and the Borrowed Band
The local country-rockers conjure the world of MTV before “120 Minutes” in their first-ever visual, which leads into a livestream show at the Pour House tonight.

