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Award-winning student dance video: Gina T’ai’s “Lumiere D’Ampule”

Greetings from the Dancing for the Camera Film Festival, ADF’s annual curated showings of experimental and documentary films on dance. (And vice versa.) I’m posting from White Lecture Hall (next to the East Duke building — appropriately enough on Duke’s East campus), where we’re actually in an intermission on Friday night. It’s just long enough […]

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The Independent Review: Slamming Eiko & Koma’s “Grain,” Applauding “Quartet”

Quoted, from today’s Independent Weekly: “In a career of dystopic performances that have let audiences examine the suffering of humans and nature on an almost frame-by-frame basis, this one was a stand-out. Call it a strangely blighted rite of spring, an implacable fertility ritual which revealed the grotesquery of dehumanized sex; ultimately, a work which […]

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ADF: Eiko and Koma

American Dance Festival: Grain Quartet Eiko & Koma with Charian & Peace In a career of dystopic performances that have let audiences examine the suffering of humans and nature on an almost frame-by-frame basis, this one was a stand-out. Call it a strangely blighted rite of spring, an implacable fertility ritual that revealed the grotesquery […]

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…and tonight, from North Carolina…

The second of ADF’s Acts to Follow showcases devoted to North Carolina choreographers convenes in Baldwin Auditorium at 8 p.m. Highlights: former Trisha Brown dancer Niki Juralewicz‘s Elemental, described as a “tender, vicious, and playful” series of solos, trios, and duets, Ashlee Ramsey and Katheryn Ullom‘s No, I Agree, a study in mixed messages we […]

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Tonight: Kisselgoff’s “protege” at International Choreographers in Residence concert

“You’ve got to see her, Byron,” legendary dance critic Anna Kisselgoff said just moments before the Chelyabinsk show. “She’s tinybut she moves like crazy.” Kisselgoff was referring to Elena Saizafarova, a French dancer/choreographer of Russian descent whose work has just recently received a major dance award in Rome. “There’s one piece in particular,” Kisselgoff whispered. […]

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