Posted inFilm & Television

The fabricator

To the news that Lasse Hallström’s The Hoax dramatizes the famous scandal associated with the name Clifford Irving, many prospective viewers are bound to respond, “Clifford who?” Those of us who remember the Nixon era, on the other hand, may well recall the name yet remain fuzzy about the man and the reasons for making […]

Posted inFilm & Television

Notes on a Scandal

“Worst. Oscars. Ever.” The admirably concise e-mail from a critic friend handily summed up my own reaction to last week’s announcement of the Academy Award nominations. No, I’ve never spared too many grains of salt for this tinsel-bedecked horse race, which seems to grow more crass and self-defeating as its award-show competition metastasizes. Still, I […]

Posted inFilm & Television

Queens and kings

Serving on the jury for debut films at last year’s Montreal World Film Festival, I was reminded how often evaluating films revolves around disagreement. Yet while our small, intensely opinionated jury disagreed about most of the awards we had to decide, we were surprised to find that we were in instant accord about what should […]

Posted inFilm & Television

The dogs of war

Why is Warner Bros. opening two high-profile movies about the World War II era, Clint Eastwood’s Letters from Iwo Jima and Steven Soderbergh’s The Good German, in a single Triangle multiplex this weekend? If you know how to read the industry tea leaves, that one’s not too hard to decode. Warners has important, longstanding relationships […]

Posted inFilm & Television

The talented Mr. Wilson

Starting with the Bay of Pigs debacle, then flashing back to the early days of U.S. espionage during World War II, and continuing through the creation and development of the CIA during early decades of the Cold War, Robert De Niro’s THE GOOD SHEPHERD offers the most capacious dramatic account of America’s intelligence service I’ve […]

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