Posted inStage Site Terrific: A Third Friday When the Durham Dance Scene Just Worked by Michaela Dwyer 09/20/201702/08/2023
Posted inArt The Radical Power of Impolite Women in Little Green Pig’s Yes to Nothing by Michaela Dwyer 09/06/201702/08/2023
Posted inArchives Durham Independent Dance Artists Announces New Season Balancing “Risk and Excellence” by Michaela Dwyer 08/15/201702/08/2023
Posted inArchives ADF Review: In Beth Gill’s Brand New Sidewalk, Clothes Become Otherworldly Architecture by Michaela Dwyer 07/06/201702/08/2023
Posted inArchives ADF Review: Queering Objects and Decoding the Body in Cherdonna’s Clock that Mug or Dusted by Michaela Dwyer 06/30/201702/08/2023
Posted inArchives ADF Review: Bill Young and Colleen Thomas & Co.’s Interleaving Is a Book We Want to Read Again and Again by Michaela Dwyer 06/27/201702/08/2023
Posted inArchives Dance Review: Renay Aumiller Dances’ boneGlow Was Full of Compelling Ideas That Were Hard to See by Michaela Dwyer 06/14/201702/08/2023
Posted inArt An Oral History of the American Dance Festival: How an Academic Enclave in Vermont Became a Modern Dance Lightning Rod for Durham and the World by Michaela Dwyer 06/07/201702/08/2023
Posted inArt Assessing the Spring Shows from Durham Independent Dance Artists According to Its Implicit Vision of Dance Without Borders by Michaela Dwyer 04/26/201702/08/2023