@ Durham Performing Arts Center
7 p.m.

Even if you’ve never heard of Brian Regan, the minute you see him perform, you immediately fall in love with the guy.

A 30-year veteran of the stand-up scene, the Miami-born, Vegas-based comic is well-known for his clean but still utterly uproarious stand-up. His humor has definitely given him not just fans but famous fans, like Jerry Seinfeld (who drove him around during an episode of his Web series, Comedians in Cars Getting Coffee) and Marc Maron (who had him as a guest on his WTF with Marc Maron podcast).

The Indy asked 54-year-old Regan, who’ll be performing at Durham Performing Arts Center on Saturday, a few questions about what it’s like being one of the funniest, most reliable working comics out there.

INDY: How long have you been doing stand-up?
REGAN: Oh, wow—about 31. [laughs] That sounds like forever. But I started in 1981, down in Ft. Lauderdale, at a comedy club.

How does it feel knowing that you make guys like Jerry Seinfeld and Marc Maron laugh?
Well, you get to write a lot of checks, man. I gotta write checks out to Jerry Seinfeld and Marc Maron and all these people for these kind words. [laughs] No, it means a lot to me, you know. Making audiences laugh is certainly a big thing for me, but knowing that other comedians like what I do—at least some of them—that means the world to me, you know. It’s a high compliment when people who do what you do like what you do. So, it’s a great feeling.

One of the things that’s great about your comedy is how you’re very physical, contorting your face and body in various, cartoonish ways. Sometimes, you get a sense of balletic gracefulness in your stand-up.
Well, first of all, I appreciate the compliment. I guess the reason why my comedy is physical is because, basically, they’re little vignettes, you know. A lot of my jokes, if you will, they’re like these little, tiny plays, with me and another character or me and an inanimate object. So, it’s me and the eye doctor or it’s me and a flight attendant or it’s me and an ironing board or it’s me and a microwave oven. And the only way for the joke to work is for me to act it out. So, there’s where the physicality comes in. I’m just trying to live the joke out as truthfully as possible when I’m onstage. And, if I don’t, it doesn’t pop nearly as well.

You’ve often talked about how amateurish you were back in the day, relying on props and what not. Today, you’re a comic that appeals to all ages. How would you explain getting audiences on your side as a comedian these days?
Well, for me, I try not to figure out what my audience would like or what they’re looking for, because it’s too hard for me to know what everybody in the world is thinking, you know. So, I just try to figure what I wanna say and what I wanna do and, you know, I like to do clean comedy and observational comedy and everyday kinda stuff, just because it’s what interests me. It’s what makes me laugh. And, you know, the fact that audiences seem to like it as well certainly is a big thing for me. It’s like, wow, now I can make a nice career with this. But, to me, it’s sort of, um, I’m lucky, in that what I like to do anyway is what people seem to respond to. So, I’m just fortunate.