The moon was bright enough for me to meander around the graveyard without tripping over Celtic crosses.

It was Halloween and I was studying in Ireland. I had bussed north out of Dublin, accompanying Will, a fellow Tar Heel abroad, on his quest to discover a long-lost lineage near the town of Donegal. Feeling bored and irreverent in a teensy town, we roamed, reading engraved names by the light of our cellphones.

While examining tombstonesOโ€™Brian, Oโ€™Brian, Mrs. Oโ€™Brian, Oโ€™Harewe chanced upon three drunk teenagers. They asked what two Yanks were up to in their churchyard. โ€œLooking for ghosts,โ€ I said.

โ€œThis graveyard isnโ€™t haunted,โ€ a squat 16-year-old replied, slurring his accented words. โ€œI could tell yaโ€™ where to go but I donโ€™t want to see two dead Americans on CNN. A woman committed suicide there last month. Itโ€™s the place for it.โ€

The night felt staged, and Will and I snickered. But the boy was sincere. Only pestering and the bribe of a couple Killianโ€™s bought us directions to the abandoned manor house out in the woods.

We found a taxi willing to ferry us out of town, but the price was steep. We would have to split the equivalent of $80 each way. We couldnโ€™t afford a return trip. The old cabโ€™s steering wheel pinched the driverโ€™s gut. His hair was snowy and his doughy face showed grandfatherly concern. โ€œDrop yaโ€™ off and just leave yaโ€™ there ladies? Are yaโ€™ sure?โ€ He slipped our cash into a clip.

We rolled down a highway at moseying speed, revering adventure and bragging of our bravery. The moon shone on the tall grasses of flanking hills and the headlights lit a trash-strewn median. The highway portion of the drive felt so quick and lighthearted. But as the car turned off the main road onto a dark dirt path below a hunched canopy of trees, time grew slow.

The tires crunched over graveled soil. At a fork in the road, the tunnel of foliage receded to reveal a windowless church encircled by woods. โ€œWhen you walk out, boys, remember to turn left at the church,โ€ our ferryman said. โ€œOK, boys?โ€

Decrepitude had overtaken what must have once been a well-kept and blossoming yard. It looked like a Southern plantation house that had been unoccupied since the Reconstruction, rotted but still standing, adorned with a dozen coal chimneys. โ€œIโ€™m not going near that thing,โ€ Will said. We got out and watched the brake lights curve back along the road until they passed away.

The ground was mush as I walked toward the door. I expected a padlock, a deadbolt or a โ€œNO TRESPASSINGโ€ sign. But under an awning on the door was a solitary brass knob. Will was creeping behind me and I could sense our combined fright.

โ€œWhatever, man, weโ€™ve come all this way,โ€ I said, and reached out to turn the knob. The feeling I got was one I had never felt before and have not felt since. There was something in that house. I knew I was playing with something older than myselfsomething primal that wanted to be played with. I felt tempted to enter, a force absent of goodness stoking my curiosity. Maybe it was just adrenalized nervousness?

I ran, Will in tow. We sprinted after those brake lights in the woods.

Some years later, I was busing tables at Four Square Restaurant in Durham and paid little heed to rumors of its haunting. The eatery is located in the Bartlett-Mangum House, built in 1908. Line cooks told me about cookery inexplicably moving afterhours. A pretty-eyed waitress swore she once heard a phantom voice, presumably of Inez Mangum.

Inez and her sister Bessie inherited the residence in 1927 and shared it for years without speaking to each other, due to a feud of unknown origin. One used the front door and the other the side door.

At the top of the stairs and to the left is a dining room where I was warned not to leave glasses or plates on the fireplace mantel unattended. Apparently, Inez would knock them off and shatter them.

One evening, I set some glasses there and left the room to get some spoons. I heard them shatter.

There is a crawlspace in the wall opposite the mantle. Two older waiters instructed me to crawl in and retrieve clean tablecloths. On my knees, I went into the darkness. They locked the door behind me.

The prospect of Inez gave me no fright. But my mind drifted back to a night in Ireland, and I wanted to run. Trapped, I sat in the silence, haunted by a memory.

Bio: Colin Warren-Hicks is a freelance writer based in New York City and a graduate student in the literary reportage program at NYU's Journalism Institute.