Super Empty’s Song of the Week is co-published every Friday by the INDY and Super Empty.
It’s somewhat irrelevant to NANCE’s new single, “For You,” but also not completely irrelevant, to state that my favorite social media trend of late has been a series of videos of a kid watching lights turn off.
That’s it. He appears on screen, announces that the lights behind him will soon be turning off, and eventually they do. He then says, with admirably consistent gusto each time, “OPE! They turned off! Ohh-kay. Make sure you like and follow. Goodbye!” If you’re at all familiar with social media and the modern attention economy, you won’t be surprised to hear that this account, which uploaded its first post less than three weeks ago, now has 243,000 followers. (Super Empty’s account, which I’ve been carefully and laboriously tending to since January, has 610.)
Lights-off-kid is no menace—the massive popularity of his videos is arguably a demonstration of our gluttonous, non-stop content cycle, and the algorithms that power it, at their most wholesome and benign. But it’s hard to not see his stratospheric rise in a matter of weeks (recent partnerships: Top Golf, Texas Roadhouse, and the U.S. Air Force Academy), for something as simple as watching the lights turn off, as an uncomfortable reminder of the simplicity with which fame (at least of a certain kind) can be achieved in our social media-molded era of the Internet age—and subsequently, how hopelessly drawn many are to chasing it.
From bogus YouTube business gurus to AI-generated music and art, modern life is awash in scams that promise a swift escape from the crushing pressures of capitalism. Shameless gambits for quick cash or notoriety are the expected norm, and there’s an ever-broadening understanding that it’s increasingly impossible to know if what we’re seeing or hearing is actually real.
Maybe that’s why it’s so refreshing, especially within a genre historically known for a certain amount of fake-it-til-you-make-it bluster and posturing, to see more rappers dropping the facade, turning inward and creating material out of their own insecurities and doubts, rather than trying to convince us of things that we may otherwise suspect to not be true.
The most prominent example of this last Friday was Rapsody’s long-awaited, deeply introspective fourth studio album, Please Don’t Cry. But also released, albeit to less fanfare, was the excellent single “For You” by Raleigh veteran NANCE, which in its own ways tackled many of the same themes: of identity, of acceptance, of the pitfalls of seeking happiness in external validation. Though it carries a similar sonic texture to his songs from years past (courtesy of production mainstay Fourth Shift), “For You” depicts an artist not only sharper, more focused and more original in his songwriting, but maybe most importantly, one who, after years of striving for satisfaction, is genuinely content.
While NANCE’s creative, outside-the-box marketing campaigns have regularly earned him some of the best awareness and recognition among indie emcees in Raleigh, the same couldn’t always be said in the realm of critical acclaim. Eight years ago, 25 years old, and considering myself some kind of serious authority on hip-hop, I wrote for INDY Week: “exhaustively comparing one pop culture reference to the next prevents NANCE from taking listeners anywhere emotionally or narratively,” and “almost every rapper today is taking notes from Drake’s blueprint, but the correlations on Everything I Need are overt and unavoidable.” I had nice things to say too, but when he laments on “For You” that the “local scene never embraced the kid,” I can think of at least one thing it may be in reference to.
Undeterred, NANCE continued releasing singles, and last year returned to full-length albums with everydaydream, which saw the rapper embracing vulnerability and getting more personal than ever before — questioning, after years of rapping directly and indirectly about making it, what “making it” means after all: “Had to figure out my self-worth/ And I’m really worth it/ Even if the show goes on, it’s closed curtains/ To the man I used to be, truthfully/ I wanted to win so bad, but I was losing me.”
On “For You,” he dials into the same ethos of acceptance and moving beyond past versions of himself, with brooding lyrics like “press record, and I kill the old me,” and “Have to show what was meant for me, only to myself, only thing that matters.” Where the same pithy, smoothly staccato refrains might once upon a time been used for empty-calorie rap platitudes, here they cut right to the heart of universal, deeply human concepts like self-image and personal fulfillment.
With a dreamy, reverberating chorus that cleverly inverts the song’s title—“Never did it for you, no, never did this for you”—NANCE rejects the validation of others as a motivating force behind his music. To some degree, it’s plainly a lie: like almost any other creative, his portfolio suggests plenty of art that was made, at least in part, with the external validation of others in mind.
But rather than historical revisionism, it reads like a daily affirmation about why presumably, in the days before thinking about streams and downloads and shares, he got in front of a mic in the first place: to do something for himself. Amidst the various shortcuts and seductions of our gimmicky, algorithm-fueled, get-rich-quick world, it’s a reminder we all could use from time to time.
Here’s hoping it stays top of mind for lights-off-kid, or at least his parents, too.
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