Posted inArchives Theater Review: Some Theater Is Timeless, but Chamber Musical Daddy Long Legs Can’t Shake the Twentieth Century by Byron Woods 05/25/201802/08/2023
Posted inArchives Theater Review: Francesca Ferrari Captures a Rock Icon’s Reckless Conviction in A Night with Janis Joplin by Byron Woods 05/17/201802/08/2023
Posted inArchives Theater Review: NRACT’s Peter and the Starcatcher Has the Line Item Often Left Out of Production Budgets: Imagination by Byron Woods 05/04/201802/08/2023
Posted inArchives Theater Review: Shakespeare Speaks to Every Age but Sometimes Mumbles When He’s Drunk by Byron Woods 04/30/201802/08/2023
Posted inArchives Theater Review: Pequod Productions’ No Exit Is a Problematic but Promising Attempt at an Existential Classic by Byron Woods 03/23/201802/08/2023
Posted inArchives Theater Review: Even After a Recent Revision, EverScape Playwright Allan Maule’s Framing the Shot Still Feels Like Early Work by Byron Woods 03/19/201801/11/2023
Posted inArchives Theater Review: Some Vocal Problems Aside, Fats Waller-Based Musical Ain’t Misbehavin’ Left Us Humming by Byron Woods 03/13/201802/08/2023
Posted inArchives Theater Review: At a Time When a Small Minority of Architects Are Women, What We’re Up Against Is No Mere Period Piece by Byron Woods 01/18/201802/08/2023
Posted inArchives Theater Review: Bare Theatre Breaks Out Stronger Stuff for Its Second Round of Drunken Shakespeare in Local Taverns by Byron Woods 12/13/201702/08/2023
Posted inArchives Theater Review: It’s an Awkward Time for a Gypsy Revival, but NC Theatre’s Production Doesn’t Let Us or Its Characters Off the Hook by Byron Woods 11/17/201702/08/2023