Director JaMeeka Holloway Turns Her Sights Toward the Candid, Rapid-Fire Play “Single Black Female”
“It felt so familiar to all the ways me and my girlfriends speak on a day-to-day basis,” Holloway says. “It felt so accessible.”
Local Dance Groups Connect Chinese American Youth With Traditional Culture
Ruby Slippers is a testament to the thriving arts scene within the Triangle’s Chinese American diaspora, with a handful of local organizations tailoring traditional Chinese dance to performers of all ages.
NRACT Deals With the Ethics of Nudity Onstage in the Peter Shaffer Drama ‘Equus’
The play is an unconventional mystery—not a whodunit but a whydunit, instead—as it journeys into the maze of a human psyche.
New Production ‘The Story of Us’ Draws on the Oral Histories of UNC-Chapel Hill LGBTQ+ Alumni
The project is the culmination of three years’ work: the first phase in documenting the oral histories of more than 50 LGBTQ+ people who attended UNC from the 1950s through the 2010s.
Waiting for The End of the World with John Waters
“I am the filthiest person alive. Even though Johnny Knoxville is pretty close. I share my crown with him.”
The Must-See Winter Performances Coming to the Triangle
From Shakespeare to RENT, here are the performances hitting Triangle stages this winter.
Director Rebecca Holderness on Her Burning Coal Theatre Company Production of “Silent Sky”
Auteur director Rebecca Holderness is no stranger to Burning Coal Theatre audiences.
More Stage Coverage
A Showcase of a Small-Town Tap Ensemble That’s Gone Big, and a Transgressive Production of “Emma”
A preview and a review of two local productions.
Save a Few Squeaky Wheels, “A Doll’s House, Part Two” Is Thought-Provoking and Robust
Can RedBird successfully play dramatic dodgeball, timing shows and intermissions against trains that don’t always run on time?
Reviews of Four Significant Local October Productions
Productions from the Justice Theater Project, Burning Coal Theatre, Sweet Tea Shakespeare, and Theatre in the Park.
New Triangle Venues Help Fill In the Gaps for Performing Arts Companies
Any stage manager will tell you: the real drama’s always offstage.
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