For On the Dot, Jen Talbot’s solo exhibition at Raleigh’s LUMP gallery, the Chicago-based artist has transformed the gallery into a Target (anti)ad, amusing viewers while simultaneously challenging the status quo. The result is one of the tightest shows I’ve seen in terms of design, color, concept, execution and installation. Two 9-foot red bulls-eyes are […]
swaynick
Just Photography: Activist Photographer Chris Johnson
An article by Lisa Reye titled “From Dusk ‘Til Dawn: Rural Migrant Workers,” in the May 2001 issue of Urban Latino, detailed the difficult working conditions of Latinos in the United States, one million of whom describe themselves as farmworkers. The article cataloged the farmworkers’ exploitation, noting that, “On average a worker earns less than […]
Photographic Requiems: The Empathy of Ashley Oates
Durham photographer Ashley Oates witnessed the murder of her African-American neighbor, Rosmari Pleasure, by Rosmari’s ex-boyfriend. Unable to save Rosmari, Oates later felt compelled to honor her slain neighbor and exorcise her pain. One of her responses to the murder was to photograph an African-American undergraduate and build a blood-red hallway to house these photographic […]
Deliberately Visible: The Multiple Meanings of Tammy Rae Carland
Tammy Rae Carland, who teaches photography and video at UNC-Chapel Hill, has exhibited both internationally and locally (at Chapel Hill’s Ackland Museum of Art and at Raleigh’s LUMP gallery). She is also one of the ladies behind Mr. Lady Records, an independent music, video and distribution company that she runs with her partner, Kaia Wilson. […]
Otherworldly
One of the most splendid things about going to see Works by Kristin Gudjonsdottir and Alex Wilhite is visiting the Greek Revival-style Horace Williams House, built in 1840 by local craftsmen and now home to the Preservation Society of Chapel Hill. The exhibition begins in the foyer, crowned by a tongue and groove beaded pine […]


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