True Lies: The Most Visionary Directors at Full Frame Know You Sometimes Have to Bend Reality to Pierce It
All decent journalists know that you can’t just aim a recording device at reality and expect it to divulge the truth. You have to analyze, interpret, and present the information in such a way that its hidden inner workings and its invisible outer context are made clear, forming a choreography of storytelling in which truths…
Skate Videos Immortalize the Physical Glory and Pain of Skateboarding Life, Leaving Docs like Minding the Gap to Explain Why
I love skateboarding, both the physical feeling and aspects of the culture, and skate videos are where the physics and culture collide. These days, the tradition of the sponsored group skate video is under siege by unaffiliated prodigies on Instagram. (The skating arms race has accelerated to the point where little kids rip as hard…
Owned: A Tale of Two Americas Is a Screed Against the Suburbs’ Numbing Design and Racist Underpinnings
“The irony is, I raised money to make this film by flipping two houses,” Giorgio Angelini says, chuckling, about Owned: A Tale of Two Americas, his documentary about the ugly side of the American housing industry, which has its world premiere at Full Frame. A native of Houston, Angelini bought his first home in Durham…
For Paradise Lost Director Joe Berlinger, True-Crime Storytelling Matters Most When It Gets Real Results
Director Joe Berlinger knows a thing or two about the power of true-crime storytelling. His award-winning 1992 debut, Brother’s Keeper, about the alleged 1990 murder of William Ward in Munnsville, New York, challenged the way documentaries presented their subjects. He followed it with Paradise Lost, which led to the release of death-row inmate Damien Echols.…
Capturing the Flag Takes a Hard Outsider’s Look at the Ugly Reality of Voting in North Carolina
Capturing the Flag, an often infuriating documentary about voting suppression in North Carolina, climaxes in a hotel room in Cumberland County, where three exhausted election volunteers are sprawled on beds watching the 2016 returns come in on the television. Being liberals who traveled to the state from New York City, they are dismayed by what…
The Same Footage, Treated as Fiction by Terrence Malick and as Fact by Eugene Richards, Forms a Complete Picture of Faith and Filmmaking
Eugene Richards’s new documentary, Thy Kingdom Come, is one of several films at Full Frame that engage with religious questions. Its origins lie in director Terrence Malick’s To the Wonder, an experimental film that weaves together stories that demonstrate memory’s witness to loveboth divine and humanamid rural and urban landscapes. Drawing on Richards’s background as…
Mad at Full Frame or Just Want More? Either Way, Single Frame Has You Covered.
Single Frame Sunday, April 8, 6 p.m. Shadowbox Studio, Durham Maybe you can’t afford Full Frame. Maybe all the screenings you want to see are sold out. Or maybe you have a grudge against it for any number of reasonsbeing mainstream, being traditional, being elitist, being popular. In any scenario, the Smyth brothers, proprietors of…

