Inherit the Wind

โ˜…โ˜…โ˜…ยฝ

Through Sunday, Sep. 29

Umstead Park UCC, Raleigh

We still canโ€™t consider the 1925 โ€œMonkey Trialโ€ of schoolteacher John Thomas Scopes a historical one-off, nor can we consider its dramatized account, the Tony-winningย 1955 play Inherit the Wind,ย a period piece. Not with continuing conservative and corporate resistance to climate changeย and ongoing religious opposition to chemical contraception and stem cell research.

These and other scientific advances dating back to Galileo were all initially opposed by those in power, who responded with attempts to forbid or legislate against them. Small wonder that playwrights Jerome Lawrence and Robert E. Lee refused to pin down the era of their drama, saying instead, โ€œIt might have been yesterday. It could be tomorrow.โ€

Artistic director Jerry Sippโ€™s robust season-opening production for Justice Theater Project emphasizes the sense of community in this thrice-told tale. A cast of twenty-seven enfolds us inย the town square as three historical protagonists make their entrances: Brady, the stand-in for prosecuting populist politician William Jennings Bryan (an appropriately pompous Paul Wilson); Drummond, the Clarence Darrow character for the defense (a sharp Byron Jennings); and Hornbeck, for cultural critic H.L. Mencken (Nan L. Stephenson), who provides the gleefully sardonic play-by-play throughout the trial.

Inherit the Wind reminds us that the Scopes trialโ€”and many others, before and sinceโ€”was litigated simultaneously in the local churches. As Rev. Brown, actor Brook North deftly transforms a public prayer meeting into something far more sinister as he calls down hellfire and a curse, with his congregationโ€™s approvalโ€”not only on schoolteacher Bertram Cates (a sterling Michael Parker), but also on his own daughter, Rachel (a fine Jess Barbour), when she interrupts the public condemnation with a plaintive plea for mercy.

The moment when she does remains the eeriest point in this production, as a mob thatโ€™s been aroused to fury slowly, silently, turns and looks at her. Anything could happen in that moment. And, as Lawrence and Lee remind us, anything still can, whenever fear and superstition supersede reason and compassion.

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Bio: Byron Woods is the INDY's theater and dance critic.Email: [email protected]: http://twitter.com/byronwoods