The Bridges of Madison Countyย 

โ˜…โ˜…โ˜…โ˜…

Through Sunday, Aug. 18

Kennedy Theatre, Raleigh

A disenchanted prairie housewife’s humdrum life is revitalized, for a moment, when a handsome, mysterious drifter drops in while her husband and kids are away. Yes, the plotโ€™s a clichรฉ, open-shut, and nearly off-color to bootโ€”until the moment it isnโ€™t, when an artist finds something unique, untold, or unheard in a theme we thought was worn out.

Composer and lyricist Jason Robert Brown achieves this in the remarkable musical theater adaptation of The Bridges of Madison County. This sparkling Theatre Raleigh production does it justice, with a nine-piece orchestra scattered across designer Rebecca Leigh Johnsonโ€™s bucolic two-story set. Under Nathan Thomasโ€™s discerning musical direction, the band and actors ably convey the sweeping, cinematic breadth of Brownโ€™s award-winning, quicksilver score, which lifts the work well above its artistically humbler origins in a nineties potboiler novelโ€”and above playwright Marsha Normanโ€™s uneven script.

Brownโ€™s genius and care is clear from the opener, โ€œTo Build a Home.โ€ As his music gracefully transitions from the pensive European lyricism of Ariana Dewarโ€™s solo cello to a forthright full-band American waltz, Brownโ€™s lyrics take central character Francesca from Naples, in ruins at the end of the World War II, through her overnight marriage to an American soldier and to his farm home in Winterset, Iowa. Janine DiVitaโ€™s luminous voice captures Francescaโ€™s operatic heights and brooding passions. As wandering National Geographic photographer Robert Kincaid, Patrick Oliver Jones soulfully navigates his wanderlust through gently restless period soft-rock.

Scott Wakefield brings a frank but harried bonhomie to Francescaโ€™s farmer husband, Bud, and Heather Setzler steps out of her nosy-neighbor character to sell a tasty Patsy Cline knockoff, โ€œGet Closer.โ€ Director Lauren Kennedy Brady has crafted enviably deep-seated characters, but itโ€™s a well-sung suite of songsโ€™ incisive summations of larger stories that makes this show a bridge worth crossing.

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Bio: Byron Woods is the INDY's theater and dance critic.Email: [email protected]: http://twitter.com/byronwoods