Demon lovers–or those merely once removed–factored into most of the major openings last week. The one exception? Deep Dish’s Holiday, which neatly inverted the proposition. Johnny, the loner boyfriend, is not the satanic one in Philip Barry’s toothsome, unapologetic 1928 jazz-age soap opera. Hell begins at home instead, which is the main reason certain family […]
Tag: Issue: 2004-04-28
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in not so silent films
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Death in the Casbah
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Who killed Doonesbury?
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Reading the fine print
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Reclaiming the environment
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